General themes of ancient Chinese art
From the earliest Stone Age art to the Ming Dynasty in 1500 AD, Chinese artists took up the same themes over and over again. They were interested in swirling lines. They were interested in nature: animals, trees, flowers, rocks, water. Chinese artists wanted to express the relationship between people and nature.
Pottery, bronze jars, and lacquer boxes
But there were also big changes in Chinese art, some caused by new ideas within China, and some by new ideas coming from India, Central Asia, or West Asia. In the Stone Age, Chinese artists experimented with pottery. They used swirling brushwork to decorate the pots – that continued throughout Chinese art. Beginning in the Shang Dynasty, artists also cast bronze jars in molds with designs of dragons, elephants, and other creatures. During the Zhou Dynasty, Chinese artists also began to make all kinds of lacquered boxes.
Painting landscapes, animals, and people
But painting people and landscapes came very late to China, spreading slowly east across Asia; while people were painting images in 30,000 BC in Europe, and by 9000 BC in Egypt and Mesopotamia, and by 500 BC in Iran, paintings of people and trees only reached India with the rise of the Silk Road about 300 BC, and came to China about the same time, with the first Eastern Zhou paintings on silk cloth.
Buddhism and ancient Chinese art
When Chinese people learned about Buddhism, under the Han Dynasty, they also learned about Buddhist art styles in India, and these new styles had a huge effect on Chinese art. Chinese sculptors learned to make life-size stone statues. About the same time, traders on the Silk Road began to bring Roman blown glass to China. Chinese potters, perhaps trying to imitate blown glass, soon created porcelain. Around the same time, Chinese artists invented paper and began to use it for painting on.
Taoism and Chinese line drawing
Bibliography and further reading about Chinese art:
The British Museum Book of Chinese Art, by Jessica Rawson and others (1996). Rawson is a curator at the British Museum, and she uses the collection of the British Museum to illustrate this book. Library Journal calls it “easily the best introductory overview of Chinese art to appear in years”.
Art in China (Oxford History of Art Series), by Craig Clunas (1997). Not specifically , but a good introduction to the spirit of Chinese art. Warning: this one is not arranged in chronological order. Instead, it has chapters on sculpture, calligraphy, and so on.