When was the Han Dynasty?
Buddhism and Han art
The first big change was that many people in China converted to a new religion, Buddhism. Buddhism got started in India, and the Indian religious men who told Chinese people about Buddhism also showed Chinese artists Buddhist art. Many Chinese artists began to draw pictures of the Buddha and his holy followers, the boddhisatvas, and carve sculptures of them. The style of these Buddhist paintings and sculptures was a lot like Indian art styles.
Paper and Chinese drawing
The other big change was that Chinese scientists invented paper. Instead of painting on silk the way they had in the Zhou and Qin Dynasties, Chinese artists started about this time to use paper (but they still used silk too).
Most of the time, Han painters didn’t use colors in their paintings. They did line drawings instead. They used thick and thin lines to show what was closer and what was farther away.
On the other hand, by the end of the Han Dynasty the old sacrificial bronzes that began in the Shang Dynasty seem to have been losing popularity – artists kept making them, but in the same old shapes, without any new experiments or new ideas.
Small clay figurines in Han art
Han Dynasty artists did make a lot of very lively small clay figures, both people and animals.
Did you find out what you wanted to know about Han art? Let us know in the comments.
Learn by doing: make a small figure out of clay
Go on to Three Kingdoms period art
The British Museum Book of Chinese Art, by Jessica Rawson and others (1996). Rawson is a curator at the British Museum, and she uses the collection of the British Museum to illustrate this book. Library Journal calls it “easily the best introductory overview of Chinese art to appear in years”.
Art in China (Oxford History of Art Series), by Craig Clunas (1997). Not specifically , but a good introduction to the spirit of Chinese art. Warning: this one is not arranged in chronological order. Instead, it has chapters on sculpture, calligraphy, and so on.
Chinese Buddhist Art, by Patricia Eichenbaum Karetzky (2003) .