A new Hellenistic style
At the end of the 400s BC, Greece, and especially Athens, was devastated by a terrible war which involved nearly all the Greek city-states, the Peloponnesian War. The end of the war left the Greeks too poor for much sculpture, but when people did begin creating new sculpture again it was in a new style.
What’s the Peloponnesian War?
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Sculpting new subjects
Portraits of individuals also became more popular, and sculptures of a wider range of people including enslaved people, foreigners, people with disabilities, and mythical creatures like satyrs and fauns.
Hellenistic statues show a new confidence. The figures move and twist in all directions. Statues show people with physical challenges, like this man with dwarfism.
The sculptor doesn’t mean to mock them. They’re encouraging us to show things as they are, instead of in the idealized form that Classical Greek sculptors showed. And they’re showing off that they can do hard things like showing people with their legs crossed or all wrapped up in veils.
There are several famous sculptors from the Hellenistic period. One was Praxiteles (pracks-IT-uh-lees), who worked around 340 BC (the same time as Aristotle). Praxiteles carved a statue of Hermes and the infant Dionysos.
Another famous Hellenistic sculptor was Lysippos. He was famous for carving long, thin, graceful people, with smaller heads than the ones Praxiteles carved. It’s hard to know now exactly which statues Lysippos carved, and art historians argue about it.
Learn by doing: make a clay figurine of someone doing something
More about the Hellenistic period
Hellenistic Sculpture, by R.R.R. Smith (1991). Not so easy to read, but a good straightforward approach.
Art in the Hellenistic Age, by J. J. Pollitt (1986). This is more theoretical than Smith’s book, and might be harder going. It is more about why Hellenistic artists worked the way they did, rather than just a list of what they made.