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Black-figure amphora by Exekias showing Achilles and Ajax playing checkers

Black-figure amphora by Exekias showing Achilles and Ajax playing checkers

A famous vase painter

One of the most famous Greek black-figure vase painters was called Exekias (ex-EEK-ee-us). Exekias was from Athens. We know his name because he used to write it on his vases, “Exekias painted this vase.”

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Was Exekias enslaved?

Unfortunately, we don’t know anything else about him; whether he was enslaved, whether he had kids, or anything. But even though he was a skilled artist, he probably was not a rich man.

The suicide of Ajax

The suicide of Ajax, painted by Exekias

When did he live?

Based on the style of the vases he painted, Exekias lived about 540 BC.

Why is he important?

He seems to have been very interested in balance and composition – making sure that the people and things in his pictures were attractively arranged.

Greek idea of agon

Suicide of Ajax

Exekias liked to show the climax of stories – the most exciting moment. On the left, Ajax is setting his sword in the ground.

Who was Ajax?

It looks peaceful, but he’s about to throw himself on his sword and kill himself.

Achilles and Penthesileia

Achilles and Penthesileia, on an Athenian vase painted by Exekias

Achilles and Penthesileia

In this picture, Achilles is killing the Queen of the Amazons. But just as he kills her, they fall in love, and Achilles spends the rest of his life regretting the loss of his love.

Penthesileia
Who were the Amazons?

This theme – this dramatic tension – runs through most of Exekias’ work. It’s an illustration of the Greek tendency to see everything in the world as an “agon” – a fight – between two sides.

Learn by doing: a vase-painting project
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Bibliography and further reading about Greek black-figure vase painting:

Ancient Greek Art, by Susie Hodge (1998)- easy reading.

Athenian Black Figure Vases: A Handbook, by John Boardman (1985)

Understanding Greek Vases: A Guide to Terms, Styles, and Techniques (Getty Museum Publications 2002) by Andrew J. Clark, Maya Elston, Mary Louise Hart

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