Red figure pottery in ancient Greece

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Red figure vase from Athens, showing Herakles wrestling Antaeus

Red figure vase from Athens, showing Herakles wrestling Antaeus

Problems with black figure

Around 530 BC, Athenian potters were more and more frustrated by the black-figure way of vase-painting.

(More about black figure vases)

They wanted to paint figures that overlapped, for instance, which was very difficult to do in black figure without the whole thing looking like just a big black blob. And they wanted to be able to show the muscles better too.

The invention of red figure pottery

Herakles fights the hydra: a monster with many snakes coming out of it like an octopus

Herakles fights the Hydra (Athenian red-figure vase, ca. 475 BC, Palermo, Sicily)

So somebody had an idea: instead of painting the people black, why not paint the background black and leave the people red? That’s what red figure pottery is.

Painting red figure pottery is harder because you have to carefully paint all around the people in the picture, but it makes the people look much more real. The slip and the firing are exactly the same as in black figure.

(How to fire a Greek vase)

red figure pottery vase with one big figure in the middle of the belly: a person holding a cup and a deer.

A red figure vase by the Berlin Painter, from ancient Athens

The Berlin Painter

Some of the greatest Greek vases are in red figure. One of the most famous painters is the Berlin Painter.

(More about the Berlin Painter)

Greek red figure vase painters painted very elegant vases, perfectly done with no splotches. Often there is one big figure on each side, instead of a complicated scene.

The end of red-figure pottery

Achilles bandaging the wounded Achilles binding up the wounds of Patroclos (Athens, red-figure vase, 500 BC -now in Berlin)

Achilles bandaging the wounded Achilles binding up the wounds of Patroclos (Athens, red figure vase, 500 BC -now in Berlin)

But by around 450 BC, just eighty years after the invention of red-figure painting, hardly any potters were still making red-figure vases.

Nobody really knows why they stopped. Maybe red-figure just went out of style. Maybe the Athenians became so rich that they all used metal (bronze or silver) dishes instead of pottery.

White-ground lekythos

White-ground lekythos

It’s more likely that the Athenians were rich enough from their empire that they didn’t need to sell their pottery to other people. Most Athenian pottery had always been produced to sell in other countries.

(More about Athenian trade)

Also, the Etruscans, who had bought a lot of the Athenian pottery, were no longer doing very well by 450 BC. They were being conquered by the Romans. Maybe they couldn’t afford to buy Athenian pottery anymore.

(More about the Etruscans)

The white-painted lekythos

One kind of pottery which does last longer is the white-painted lekythos, which was placed on graves, like a tombstone. Potters kept on making these pottery tombstones until about 400 BC. They had a lot of burials at that time, at the end of the Peloponnesian War.

(More about the Peloponnesian War)

After the war, even these white tombstone vases stopped. After 400 BC, Athenian pottery – and all Greek pottery – is just plain, without pictures.

Learn by doing: a vase-painting project
More about Roman pottery

Bibliography and further reading about Greek Red-Figure pottery:

Athenian Red Figure Vases: The Archaic Period : A Handbook, by John Boardman (1985)

Athenian Red Figure Vases: The Classical Period : A Handbook, by John Boardman (1989)

The Archaeology of Greece: An Introduction, by William R. Biers (1996)

Greek Art and Archaeology (3rd Edition), by John G. Pedley (2002).

More about Greek Art
Ancient Greece
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By |2018-05-18T12:31:16+00:00July 5th, 2017|Art, Greeks|0 Comments
Cite this page: Carr, K.E. Red figure pottery in ancient Greece. Quatr.us Study Guides, July 5, 2017. Web. December 13, 2018.

About the Author:

Dr. Karen Carr is Associate Professor Emerita, Department of History, Portland State University. She holds a doctorate in Classical Art and Archaeology from the University of Michigan. Follow her on Instagram, Pinterest, or Facebook, or buy her book, Vandals to Visigoths.

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